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The Earth, by Emile Zola
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Zola's classic story of an old man who, forced to divide his property among his children, is cruelly harassed by them for what little else remains. The theme, as simple yet as complex as the earth itself, hums with the intrigue of subplots carefully dovetailed into the narrative and constantly arrests the reader with fascinating insights into the motivations of the characters.
- Sales Rank: #2172473 in Books
- Brand: Brand: The Emile Zola Society
- Published on: 2011-05-17
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .96" w x 5.98" l, 1.39 pounds
- Binding: Paperback
- 432 pages
- Used Book in Good Condition
Language Notes
Text: English, French (translation)
About the Author
Émile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years.
Most helpful customer reviews
0 of 0 people found the following review helpful.
In nature's hands
By R. DelParto
Emile Zola centers his epic novel The Earth on nature and the important elements that are at the forefront is the natural landscape and how families and traditions play a role in its existence. Or as Douglas Parmee emphasizes in the introduction, it is a story of hereditary and environment. The story takes place in rural France during the late 19th century and is a part of the Rougot-Macquart series that focused upon the harsh structures of a farming community. The Fouan and Buteau family live in a small village in the fictitiously named Rognes within Aix-en-Provence, an place where its dwellers thrive on the agrarian way of life.
Zola was part of the literary movement of naturalism that swept the late 1880s up to 1921 and a response nature’s progression of the land but also transitions that occurred within human nature. Especially, after great conflicts before the Great War that showed signs that modern ways of life was taking precedence and conflicts that emerged with the Franco-Prussian war that Zola wrote in The Debacle. It is clearly understood throughout the novel with the countryside and the daily routines of the main characters of the family as they work on their farm and cultivate the land and animals. Their responsibility is to maintain and to preserve centuries of tradition that is symbolic to the sustenance of life, birth, marriage, and death as well as history. But what appears to be predominant before the previous is taking care of the land, which has been an ancient economic and social construct since civilization began under the system of feudalism. And the families such as the Fouan came from a lineage of serfs of the Rognes-Bouqueval family that left remnants within a burial site located among half-buried stones at a demolished castle. Indeed, significant to the history of the family, maintain their class and social standing within the region, i.e. their name and their wealth. However, as Zola suggests with characters such as Fouan’s son named Jesus Christ, this part of the novel almost breathes a cross between a D.H. Lawrence novel and Ingmar Bergman film that usually contains an underlying and deep symbolic meaning of existentialism and philosophy and religion in the midst. But Jesus Christ, known for his flatulence is a subtle symbol placed in the novel as comic relief and one to not to take things too seriously and the least religious of the characters in the book; Zola shows how the characters challenge conventionality and morality with much vivid imagery.
The Earth is a novel filled with unpredictable moments that may surprise readers to the story’s conclusion. And it is a story embedded with the history of a family and the land that they fought to preserve. For the first-time Emile Zola reader or the curious, it is a novel that leaves room for discussion.
17 of 18 people found the following review helpful.
Back to the roots
By A Customer
The ultimate naturalist novel. It may sound corny, but if ever a book was "earthy", this one certainly is. Many people, including Zola's fellow naturalists, have been disgusted by the scenes of rape, murder and general bad behaviour in it, but in fact none of them are included solely for their shock effect. The characters are all too true to life, and although they may be brutish, they are not all stupid, as is shown in the cafe discussions about the agricultural market and the threat from cheap American grain imports (remember, this is in the 1860s). One of the few Zola books where the member of the Rougon-Macquart family in it is not one of the main characters, and in fact his role in the action is almost accidental. For him, and perhaps for most readers, the farmers are aliens from another world but this book is an excellent work and one of Zola's best, though it may make you think twice about buying that nice little house in the country, especially in France.
22 of 22 people found the following review helpful.
The second best novel of all time?
By Karl Janssen
This book is a masterpiece. Had Zola not written the awe-inspiring Germinal, this would clearly be his greatest work. Zola does his best writing when he focuses not on Parisian society but rather on the lower classes: the laborers, the peasants, the working stiffs. In this case, his subject matter is the farmers of the Beauce, an agricultural region between Chartres and Orleans. Here, families have cultivated the same plots of land for generations. In fact, land itself is everything to these people, and they will do whatever they can to protect the earth they have, and to acquire as much more as they can before they die. When Old Fouan decides to divide up his holdings among his three children, no one is happy with the portion they receive. Their avarice of earth leads to mutual animosity and eventually to treachery. Jean Macquart, an affable, hard-working farmhand, is, like us, an outsider in this hermetic world, until he falls in love with a farmer's daughter and becomes a participant in their private war.
The scope of the book is wide, and looks beyond the Fouan family to examine political and social issues of the time, including the effect of the impending Franco-Prussian War, the triumphs and failures of modern scientific farming methods, and how the market's regulation of prices damns the farmers to eternal poverty. Zola's description of the agricultural life, its rewards and its hardships, is vivid and moving. He neither romanticizes nor denigrates the farmer's relationship to the land, but rather paints a realistic picture of dirty, exhausting toil that nonetheless has its physical and spiritual rewards.
The book achieves a tremendous range of mood. It's like an emotional roller coaster. There are passages in the book which are downright terrifying. Elsewhere there are moments which are laugh-out-loud funny. Zola obviously had a lot of fun writing the more light-hearted scenes in the book. He includes everything from a farting contest to a vomiting donkey. Overall, however, this novel is a dark portrayal of human greed and selfishness, and the brutal lengths to which people will go to satisfy their hunger for property. This book should be read by all.
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